An Appreciation of Enna Chaton

December 5, 2015

I’ve watched Enna Chaton’s twelve-minute video, “Errances” twice, to see if I would find more in it the second time than the first. Google Translate says that “Errances” means “Wanderings.” This video show three naked women and five naked men wandering through what is identified in the notes as “Le Abattoirs, Musée d’art Moderne et Contemporain de Toulouse” The video was made in collaboration with the composer-sculptor Céleste Boursier-Mougenot. The notes, as translated by Google Translate, state, concerning the spectators, “their receptivity and their presence is intensified by the whether they are naked.” but these wanderers seem to express no emotion, even when sitting close together on a leather sofa watching a video monitor. Other elements of the exhibit include a balloon and four grand pianos that move under robotic control, forcing the spectators to get out of the way. The spectators seem to have come from another planet – or at least another civilization – where nudity is the norm and they don’t quite know what to make of a planet where a drum kit stands in the middle of a pool of water and a telephone is placed on a pedestal as an art object. I’ve found a description of her work in English on the website of of the Montalvo Arts Center in Saratoga, California, where she did a residency 2013. I suggest checking it out.   I find her way of working close to what I did in “Innocence“. I’m hoping to see more of her work with Celeste Boursier-Mougenot.

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